Stream download The Good Doctor full length movie onlinePosted by lucifierrock on August 31st, 2012 "The Good Doctor" is new drama and thriller movie 2012. It is directed by Lance Daly. It is produced by Orlando Bloom, Dan Etheridge and Jonathan King. It is written by John Enbom.Watch online The Good Doctor movie in Full HD/DVD/ipod/divX All Qualities are Here Music is given by Brian Byrne. Movie is editing by Emer Reynolds. Studio for movie is Fastnet Films. Movie is about a young doctor goes to unconscionable extremes in order to remain in the service of a female patient with a kidney disorder..
The character's interior life and motive are left open to interpretation. Is he, in his own strange way, interested in pursuing a romantic relationship with the patient? Is he waiting for her condition to intensify so he can then step in, save her, and win the respect of his superiors? Is he just excited operating outside conventional societal laws, rules, contracts, and promises? In a rather predictable move no doubt influenced by pictures such as American Psycho, recognizable visual cues are substituted for concrete answers: he lives in an austere, modern, and pristine seaside house with limited furnishing, a spartan monument to the nonexistence of his soul, so he must be dangerous. The film is careful to never give the patient too much depth, which seems deliberate; we see her as she exists in his eyes, a vision and an idea, not as a three-dimensional human being. “The Good Doctor” finds Orlando Bloom in almost every frame as British-raised Dr. Martin E. Blake, a handsome, shy and often tired resident whose good looks are enhanced by a suspicious clump of hair on his head. He practices internal medicine under the supervision of Dr. Waylans (Rob Morrow), who in one scary private interview with the ironically named physician asks him whether he’s happy, and also why he chose to be a doctor. The Bio-Chem major answers that he’s looking for respect: “And I want to help people,” the standard reply, which makes one wonder why he could not just as soon be a salesman at Macy’s. The story revolves around the doc’s fascination with Diane (Riley Keough), admitted to his care for a kidney infection, who gets better in a short time and goes home. In a scene that boggles credibility, the doctor fixes things in such a way that she is re-admitted to the hospital in more serious shape than ever.
This modern Lolita-in-a-hospital-bed story is within director Lance Daly’s métier. His “Kisses” dealt with two lads who run away from home at Christmas only to spend a night of terror in inner-city Dublin. A similar ambiance of suspense takes hold of the viewer at the SoCal institution where somehow Dr. Blake’s behavior raises suspicion from Nurse Theresa (Taraji P. Henson), Jimmy the orderly (Michael Peña), Dr. Waylans, Dr. Dan (Troy Garity), the girl’s father (Wade Williams) and a detective (J.K. Simmons). You’ll wonder how he can get away with his ruthless treatment of both the patient and another member of the hospital, the latter more knowledgeable about goings-on than you’d expect him to be. It's the story of a mainstream film, taking the old formula from the predictable forbidden relationship drama and dumping plenty of the clichés we know and hate for a more character-driven film, one where Orlando Bloom (Lord of the Rings, Pirates of the Caribbean, Kingdom of Heaven) steals the role. Even if you realize he looks 90% like Nickelodeon alum Drake Bell (in which case you'll be distracted for the first third of the movie) Bloom's memorable accent, natural way with dialogue and noticing him play such an everyday character, compared to the blacksmith in Pirates of the Caribbean and the defender of Jerusalem in Kingdom of Heaven, will help you snap out of it. Dr. Martin Blake, who has spent his life looking for respect, meets an 18-year-old patient named Diane, suffering from a kidney infection, and gets a much-needed boost of self-esteem. However, when her health starts improving, Martin fears losing her, so he begins tampering with her treatment, keeping Diane sick and in the hospital right next to him. It would be one of Bloom's most memorable performances if this film was more mainstream. Though he's not saving the world, Orlando's Blake relates to us in a lot of ways. When dilemmas turn up, dialogue naturally reveals Blake's motivations for becoming a doctor, simply being: "Just wanting to be respected." His nurse, played by the feisty Taraji Henson, is the only one without that respect because she can see how Blake's inexperience and lack of skill can jeopardize patients’ treatments. It's too bad we don't see her all that much, but we at least see a subtle development of respect from her by the third Act. Desperation for respect aside, Blake is also anti-social, seen through his lack of keeping any friendships or even speaking to co-workers and strangers for any reason except for things relating to his work. He lives alone in a near-empty apartment by the beach. We see him eating nutritious lunches at the hospital and microwave dinners at home. We see a lonely man that thinks he's doing well on his own even though he knows he struggles internally. Bloom does a great job though, playing Blake with an inner strength that keeps him on his feet through his struggle, lacking a natural sense of identity and purpose, and giving Blake a dormant charisma longing to be born. Despite only being a doctor for dishonest reasons, we empathize with his struggle to feel grounded and like that he loves his job and is willing to work hard. Riley's Diane is on the hospital bed for most of the film, but the former fashion star doesn’t try too hard and gives a solid performance. Diane’s illness gives Riley the opportunity to play off Bloom's Blake in scenes that reveal insecurities, motivations, and a sweet, human connection between those who are told never to cross a thin line. But they won't find a way to be with each other and defy their loved ones. This isn't a movie about how a doctor can have a relationship with an underage girl, because they're both lost and looking for themselves - and find some of themselves in each other. The few twists in the second half pretty much fix that for us, saving us from the melodrama. And as you read in the synopsis, Blake isn't the most ethical doctor around just for doing what he does to keep seeing Diane in the hospital. The film goes from drama to suspense-drama to psychological-drama in 90 minutes; actually, it's all in one, but it feels as if it shifts from one to the other. And the film's ending is one to talk about, making this film an interesting character study of a common man that has done very uncommon misdeeds. The character's interior life and motive are left open to interpretation. Is he, in his own strange way, interested in pursuing a romantic relationship with the patient? Is he waiting for her condition to intensify so he can then step in, save her, and win the respect of his superiors? Is he just excited operating outside conventional societal laws, rules, contracts, and promises? In a rather predictable move no doubt influenced by pictures such as American Psycho, recognizable visual cues are substituted for concrete answers: he lives in an austere, modern, and pristine seaside house with limited furnishing, a spartan monument to the nonexistence of his soul, so he must be dangerous. The film is careful to never give the patient too much depth, which seems deliberate; we see her as she exists in his eyes, a vision and an idea, not as a three-dimensional human being. 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The new medical drama The Good Doctor finds Bloom, either out of an admirable self-knowledge or because the major studios are not calling as often as they were half a decade ago, playing to his strengths in an independent production. His character is a youthful, introverted resident physician who reveals a subtle sinister side when he falls for a beautiful teenage patient (Riley Keough), devising more and more diabolical ways to prolong her hospital stay. (Not a film for individuals with an undue fear or distrust of those in the medical profession.)
